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Shadow Catcher:  Susan Parish

THE SOUTHERN SOUND

THURSTON COUNTY

LANDSCAPES

AMERICAN INDIANS

PACIFIC GOLD

BEACH BLUES

FLORAL

THE SANDMAN

A MAGICAL PORTRAIT

MISCELLANEOUS

 

*galleries closed for updates

ARTIST’S STATEMENT

After years of looking at light in other parts of the world, a trip to the American Southwest in 2008 caused me to fully appreciate the quality of light in the Pacific Northwest and caused me to return to native surroundings and local experience to make my art.

 

It is true that Taos and the nearby region where the celebrated painter Georgia O’Keefe and other artists have made famous has wonderful qualities of light – however, I was actually surprised as I gazed day after day at those skies and landscapes.   I realized ironically that that landscapes and light isn't as good as the what I have in my own backyard; in my homeland of the Pacific Northwest.

 

The conclusion is obviously that their light is only better advertised in the old art centers of New York and I returned home to celebrate ~ and try to capture the light in my own eye in my own region.

 

I rise early to watch the morning sun as it plays off the mountains and causes fog to rise in the valleys.  Mt. Rainier awakens and starts to  glow in hues too beautiful to capture ~  but I try anyway.

The sun going home sometimes shouts out its goodnights across the sky or slips gently into the good night playing with the curves of the Black Hills or lights a path for a kayaker heading home.  

With digital I am now enthralled by shooting late into the night or with moon glow as this new technology allows capturing, handheld,  light as never possible with film.

I hope you enjoy my own work as well as the historic photographic prints I make. Inquires and comments are always welcome.

 

HISTORY    My interest in photography began in childhood at the elbow of my Dad.  As I was shy, I got out of being the subject by becoming the photographer.  There was power there behind the lens... I could use a camera as a tool to approach people and events otherwise barred.  As I am short - I can also get to the front of a crowd without much notice.

A camera allows me to indulge an incurable curiosity. I sent away cereal box tops to buy my first camera in 1957 and still cherish it.  I have shot Nikons since 1977.  Most of my work was in Black & White until I fell in love with color when I went digital 2 years ago.  Now I get to be the painter I never had the patience to be.

My first memorable photo-shoot was of Janis Joplin on her last tour; Seattle, 1967. Favorite shoot - Raymond Burr - what a delightful soul.  I also got to be his chauffeur and was the only crew that ate raw Olympia Oysters so we sat together drinking wine eating oysters and he told me about his love affairs.

Surviving as a free-lance photographer in a small market region hasn't been easy.  News, documentary, architecture, event, wedding, portraits, models and politicians; although everything is documentary to me. I probably wouldn't still be in photography if I hadn't bought the Jeffers Collection.  It was printing Vibert's 8 x 10 negatives that made me dissatisfied with 35mm.

I have been a newspaper editor, Olympia News, still miss that weekly paper, a Visitor Services Director at Washington's Capitol...and, I've taught local history.  I've also written a lot and hope to do a great deal more in the future. I think of myself as a photo-journalist more than an artist.

 

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The Susan Parish Collection

 

Copyrights 1990-2009  All Rights Reserved on images and text (C) Susan Parish, The Susan Parish Collection & Shadow Catchers

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